Thursday, October 23, 2008

Time to take a stand .

This painting of a worried mother waiting anxiously at the entrance of her home , in a troubled Indian city.
Done in acrylic on canvas.
I feel she must be praying 'O God protect my children from Thy followers who kill in Thy name.'
I saw today in news a mother from Cannanore telling the camera man that her son left the house on the tenth day of Ramzan saying he was going "to learn the religious text" and never came back home.He was killed in Kashmir recently while trying to cross the border ...had become a tool in the hands of terrorists.

Wednesday, October 01, 2008

Kudiyattam or koodiyattam --a painting

This is a painting done in impasto style using acrylic on canvas.
I got the idea when I read the news of the sad demise of Koodiattam Maesto Ammannur Madhava Chakyar (1917-2008) at Trichur.
Madhava Chakyar was one of the greatest modernday exponent of Koodiyattom,a centuries old art form of Kerala..forerunner of Kathakali.
His role as Bali in 'Bali Vadham' based on Bhasa's play 'Abhisheka Natakam' was a celebrated one.
By the way,did not Rama kill Bali as a political expediency rather than to serve 'dharma' as was claimed?According to the the popular belief SriRama intervened
on behalf of Sugreva in a most 'unrama' like way --hiding behind a tree and shooting an arrow at Bali killing him and thus winning the undying gratitude of Sugreva and devotion of Hanuman ,both so invaluable in freeing Sita.

Wednesday, August 27, 2008

Rajeev Ramachandran

My son.Oil on canvas.

Onam

"Onam" is the harvest festival of Kerala and malayalees the world over celebrate this festival with great enthusiasm what ever be their religious faith. Onam is celebrated in the malayalam month of 'Chingam' which falls at the end of August or at the beginning of September.
The legend behind the 10 days of festivities is the story of how 'Mahabali' the just and righteous king of Kerala fell a victim of the jealousy of the gods --for his subjects were so happy and well cared for that they had no need for ,or forgot the almighty :-).The gods decided to set this 'wrong' right.
The gods conspired to cheat him of the kingdom and malayalees their peace and happiness.But Mahabali loved his sujects so much that he wrangled a boon from the gods---that he be allowed to come and visit his beloved people once a year --on the occasion of 'Onam'.So here we are ,doing our best to present a happy face to good old Mahabali on his annual visit.
There is a saying in malayalam "കാണം വിറ്റും ഓണം ഉണ്ണണം"(kaanam vittum onam unnnanam) ----you have to feast on onam day even if you have to sell your mortgaged land to do that! By the way the people shop during the days preceding onam, one feels that this is one adage that our people follow in letter and spirit.:-).
What ever that be -here I present a painting done in oil on canvas of women working in the rice fields of Kerala.

Sunday, July 27, 2008

The Camden Town Nudes

This is a post which I wanted to write a long time back.
It has been in my mind ever since I went to "Walter Sickert : The Camden Town Nudes" at The Courtauld Gallery, London with my son and daughter Rajani last winter .There were about 25 works on show by Sicket-a name not very familier to our public.But Sicket was a prominent figure in the world of art in Britain at the turn of 19th century.He was counted amoung the impressionist painters of England, yet he was different from the run of the mill impressionists as we can see from the almost 'naturalistic' and dark works he is famous for.
His paintings look sinister, and have a disquiting feel about them.In these paintings he showed the seedy-shaby side of London life.He criticized van-Gogh's technic and Cezzane ,he said is over rated.So one can see how very different his ideas were.
He was the leader of the 'Camden Town Group' of young artists.These artists were more interested in capturing the ephemeral in urban life .They were not interested in painting'nature' or country side in brilliant colors on their canvas.
In early 19th century Sickert set up home in a run down part of the city, at Camden amoung the Irish laboring class( who were engaged in buiding the railway stations of King's Cross,St Pancras, and Euston) after coming back from Paris where he had worked with the old french master -Degas.It was here that he painted these nudes .The nudes of Sickert unlike Degas are hardly erotic or colorful.These were lower class women often prostitutes of the area.
It is curious that he had writen-- "Compositions consisting solely of nudes are usually (I have not forgotten certain exceptional flights of genius, such as the Rubens, in Munich, of the Descent into Hell) not only repellent,but slightly absurd. Even the picture or two (I think there are two) of the master Ingres, which is a conglomeration of nudes, has something absurd and repellent, a suggestion of a dish of macaroni, something wriggling and distasteful." :-)
Virginia Woolf who knew Sickert has written at lenght about this intrigueing artist.He was a' literary painter 'to her.An artist whose paintings had a tale to tell--straight forward.Sickert was one of the first artist to paint from photographs.
It is not very surprising ,given the narrative nature of "The Camden Town Nudes" and the timing of these works, they became associated with the famous "Ripper" case...who, murdered prostitutes---the Whitechapel murders.,made famous also by Patricia Cromwell's novel 'Portrait Of A Killer'. "I do believe hundered percent that the artist Walter Sickert was Jack The Ripper" Cromwell said!! Ok here are some of the works that were on display.
The first clockwise is 'Despair' followed by 'What shall we do for rent'or The Camden Town Murder,followed by 'The Rose Shoe', 'The La Hollandaise' ,then 'The Iron Bed Stead'. The painting down below is 'Ennui' a couple sitting facing the opposite directions...:-).
Here are a few of my sketches.You find a woman patient sitting alone in a hospital ward when all of a sudden the govt doctors went on a strike recently.They forcibly discharged all the patients and this lady had no where to go ---she had come for treatment from far off and had no one to go to nearby. Then you find a group of refugees --in their own home land -India. Then again a small boy waiting for his mother to finish cleaning the fish for his dinner in a Kerala costal village. and then you have my take on 'What shall we do for rent?' :-)).

Thursday, July 24, 2008

An article that had appeared in The New Indian Express on my sculpture exhibition

            Saturday, June, 03, 2023  06:48:22 PM NATION WORLD STATES CITIES OPINIONS BUSINESS SPORT GOOD NEWS MOVIES PHOTOS VIDEOS WEB SCRA...